#then what’s the point of adding a label

[mostlysignssomeportents]

Proud to be a blockhead

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/21/blockheads-r-us/#vocational-awe

This is my last Pluralistic post of the year, and rather than round up my most successful posts of the year, I figured I'd write a little about why it's impossible for me to do that, and why that is by design, and what that says about the arts, monopolies, and creative labor markets.

I started Pluralistic nearly five years ago, and from the outset, I was adamant that I wouldn't measure my success through quantitative measures. The canonical version of Pluralistic – the one that lives at pluralistic.net – has no metrics, no analytics, no logs, and no tracking. I don't know who visits the site. I don't know how many people visit the site. I don't know which posts are most popular, and which ones are the least popular. I can't know any of that.

The other versions of Pluralistic are less ascetic, but only because there's no way for me to turn off some metrics on those channels. The Mailman service that delivers the (tracker-free) email version of Pluralistic necessarily has a system for telling me how many subscribers I have, but I have never looked at that number, and have no intention of doing so. I have turned off notifications when someone signs up for the list, or resigns from it.

The commercial, surveillance-heavy channels for Pluralistic – Tumblr, Twitter – have a lot of metrics, but again, I don't consult them. Medium and Mastodon have some metrics, and again, I just pretend they don't exist.

What do I pay attention to? The qualitative impacts of my writing. Comments. Replies. Emails. Other bloggers who discuss it, or discussions on Metafilter, Slashdot, Reddit and Hacker News. That stuff matters to me a lot because I write for two reasons, which are, in order: to work out my own thinking, and; to influence other peoples' thinking.

Writing is a cognitive prosthesis for me. Working things out on the page helps me work things out in my life. And, of course, working things out on the page helps me work more things out on the page. Writing begets writing:

https://pluralistic.net/2021/05/09/the-memex-method/

Honestly, that is sufficient. Not in the sense that writing, without being read, would make me happy or fulfilled. Being read and being part of a community and a conversation matters a lot to me. But the very act of writing is so important to me that even if no one read me, I would still write.

This is a thing that writers aren't supposed to admit. As I wrote on this blog's fourth anniversary, the most laughably false statement about writing ever uttered is Samuel Johnson's notorious "No man but a blockhead ever wrote but for money":

https://pluralistic.net/2024/02/20/fore/#synthesis

Making art is not an "economically rational" activity. Neither is attempting to persuade other people to your point of view. These activities are not merely intrinsically satisfying, they are also necessary, at least for many of us. The long, stupid fight about copyright that started in the Napster era has rarely acknowledged this, nor has it grappled with the implications of it. On the one hand, you have copyright maximalists who say totally absurd things like, "If you don't pay for art, no one will make art, and art will disappear." This is one of those radioactively false statements whose falsity is so glaring that it can be seen from orbit.

But on the other hand, you know who knows this fact very well? The corporations that pay creative workers. Movie studios, record labels, publishers, games studios: they all know that they are in possession of a workforce that has to make art, and will continue to do so, paycheck or not, until someone pokes their eyes out or breaks their fingers. People make art because it matters to them, and this trait makes workers terribly exploitable. As Fobazi Ettarh writes in her seminal paper on "vocational awe," workers who care about their jobs are at a huge disadvantage in labor markets. Teachers, librarians, nurses, and yes, artists, are all motivated by a sense of mission that often trumps their own self-interest and well-being and their bosses know it:

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

One of the most important ideas in David Graeber's magisterial book Bullshit Jobs is that the ground state of labor is to do a job that you are proud of and that matters to you, but late-stage capitalist alienation has gotten so grotesque that some people will actually sneer at the idea that, say, teachers should be well compensated: "Why should you get a living wage – isn't the satisfaction of helping children payment enough?"

https://memex.craphound.com/2018/06/20/david-graebers-bullshit-jobs-why-does-the-economy-sustain-jobs-that-no-one-values/

These are the most salient facts of the copyright fight: creativity is a non-economic activity, and this makes creative workers extremely vulnerable to exploitation. People make art because they have to. As Marx was finishing Kapital, he was often stuck working from home, having pawned his trousers so he could keep writing. The fact that artists don't respond rationally to economic incentives doesn't mean they should starve to death. Art – like nursing, teaching and librarianship – is necessary for human thriving.

No, the implication of the economic irrationality of vocational awe is this: the only tool that can secure economic justice for workers who truly can't help but do their jobs is solidarity. Creative workers need to be in solidarity with one another, and with our audiences – and, often, with the other workers at the corporations who bring our work to market. We are all class allies locked in struggle with the owners of both the entertainment companies and the technology companies that sit between us and our audiences (this is the thesis of Rebecca Giblin's and my 2022 book Chokepoint Capitalism):

https://chokepointcapitalism.com/

The idea of artistic solidarity is an old and important one. Victor Hugo, creator of the first copyright treaty – the Berne Convention – wrote movingly about how the point of securing rights for creators wasn't to allow their biological children to exploit their work after their death, but rather, to ensure that the creative successors of artists could build on their forebears' accomplishments. Hugo – like any other artist who has a shred of honesty and has thought about the subject for more than ten seconds – knew that he was part of a creative community and tradition, one composed of readers and writers and critics and publishing workers, and that this was a community and a tradition worth fighting for and protecting.

One of the most important and memorable interviews Rebecca and I did for our book was with Liz Pelly, one of the sharpest critics of Spotify (our chapter about how Spotify steals from musicians is the only part of the audiobook available on Spotify itself – a "Spotify Exclusive"!):

https://open.spotify.com/show/7oLW9ANweI01CVbZUyH4Xg

Pelly has just published a major, important new book about Spotify's ripoffs, called Mood Machine:

https://www.simonandschuster.com/books/Mood-Machine/Liz-Pelly/9781668083505

A long article in Harper's unpacks one of the core mechanics at the heart of Spotify's systematic theft from creative workers: the use of "ghost artists," whose generic music is cheaper than real music, which is why Spotify crams it into their playlists:

https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/

The subject of Ghost Artists has long been shrouded in mystery and ardent – but highly selective – denials from Spotify itself. In her article – which features leaked internal chats from Spotify – Pelly gets to the heart of the matter. Ghost artists are musicians who are recruited by shadowy companies that offer flat fees for composing and performing inoffensive muzak that can fade into the background. This is wholesaled to Spotify, which crams it into wildly popular playlists of music that people put on while they're doing something else ("Deep Focus," "100% Lounge," "Bossa Nova Dinner," "Cocktail Jazz," "Deep Sleep," "Morning Stretch") and might therefore settle for an inferior product.

Spotify calls this "Perfect Fit Music" and it's the pink slime of music, an extruded, musiclike content that plugs a music-shaped hole in your life, without performing the communicative and aesthetic job that real music exists for.

After many dead-end leads with people involved in the musical pink slime industry, Pelly finally locates a musician who's willing to speak anonymously about his work (he asks for anonymity because he relies on the pittances he receives for making pink slime to survive). This jazz musician knows very little about where the music he's commissioned to produce ends up, which is by design. The musical pink slime industry, like all sleaze industries, is shrouded in the secrecy sought by bosses who know that they're running a racket they should be ashamed of.

The anonymous musician composes a stack of compositions on his couch, then goes into a studio for a series of one-take recordings. There's usually a rep from the PFC pink slime industry there, and the rep's feedback is always "play simpler." As the anonymous musician explains:

That’s definitely the thing: nothing that could be even remotely challenging or offensive, really. The goal, for sure, is to be as milquetoast as possible.

This source calls the arrangement "shameful." Another musician Pelly spoke to said "it felt unethical, like some kind of money-laundering scheme." The PFC companies say that these composers and performers are just making music, the way anyone might, and releasing it under pseudonyms in a way that "has been popular across mediums for decades." But Pelly's interview subjects told her that they don't consider their work to be art:

It feels like someone is giving you a prompt or a question, and you’re just answering it, whether it’s actually your conviction or not. Nobody I know would ever go into the studio and record music this way.

Artists who are recruited to make new pink slime are given reference links to existing pink slime and ordered to replicate it as closely as possible. The tracks produced this way that do the best are then fed to the next group of musicians to replicate, and so on. It's the musical equivalent of feeding slaughterhouse sweepings to the next generation of livestock, a version of the gag from Catch 22 where a patient in a body-cast has a catheter bag and an IV drip, and once a day a nurse comes and swaps them around.

Pelly reminds us that Spotify was supposed to be an answer to the painful question of the Napster era: how do we pay musicians for their labor? Spotify was sold as a way to bypass the "gatekeepers": the big three labels who own 70% of all recorded music, whose financial maltreatment of artists was seen as moral justification for file sharing ("Why buy the CD if the musician won't see any of the money from it?").

But the way that Spotify secured rights to all the popular music in the world was by handing over big equity stakes in its business to the Big Three labels, and giving them wildly preferential terms that made it impossible for independent musicians and labels to earn more than homeopathic fractions of a penny for each stream, even as Spotify became the one essential conduit for reaching an audience:

https://pluralistic.net/2021/03/16/wage-theft/#excessive-buyer-power

It turns out that getting fans to pay for music has no necessary connection to getting musicians paid. Vocational awe means that the fact that someone has induced a musician to make music doesn't mean that the musician is getting a fair share of what you pay for music. The same goes for every kind of art, and every field where vocational awe plays a role, from nursing to librarianship.

Chokepoint Capitalism tries very hard to grapple with this conundrum; the second half of the book is a series of detailed, shovel-ready policy prescriptions for labor, contract, and copyright reforms that will immediately and profoundly shift the share of income generated by creative labor from bosses to workers.

Which brings me back to this little publishing enterprise of mine, and the fact that I do it for free, and not only that, give it away under a Creative Commons Attribution license that allows you to share and republish it, for money, if you choose:

https://creativecommons.org/licenses/by/4.0/

I am lucky enough that I make a good living from my writing, but I'm also honest enough with myself to know just how much luck was involved with that fact, and insecure enough to live in a state of constant near-terror about what happens when my luck runs out. I came up in science fiction, and I vividly remember the writers I admired whose careers popped like soap-bubbles when Reagan deregulated the retail sector, precipitating a collapse in the grocery stores and pharmacies where "midlist" mass-market paperbacks were sold by the millions across the country:

https://pluralistic.net/2021/07/04/self-publishing/

These writers – the ones who are still alive – are living proof of the fact that you have to break our fingers to get us to stop writing. Some of them haven't had a mainstream publisher in decades, but they're still writing, and self-publishing, or publishing with small presses, and often they're doing the best work of their careers, and almost no one is seeing it, and they're still doing it.

Because we aren't engaged in economically rational activity. We're doing something essential – essential to us, first and foremost, and essential to the audiences and peers our work reaches and changes and challenges.

Pluralistic is, in part, a way for me too face the fear I wake up with every day, that some day, my luck will run out, as it has for nearly all the writers I've ever admired, and to reassure myself that the writing will go on doing what I need it to do for my psyche and my heart even if – when – my career regresses to the mean.

It's a way for me to reaffirm the solidaristic nature of artistic activity, the connection with other writers and other readers (because I am, of course, an avid, constant reader). Commercial fortunes change. Monopolies lay waste to whole sectors and swallow up the livelihoods of people who believe in what they do like a whale straining tons of plankton through its baleen. But solidarity endures. Solidarietatis longa, vita brevis.

Happy New Year folks. See you in 2025.

[sugurugetoshairbrush]

playing match-maker with professor!gojo satoru [prev]

Dr. Gojo Satoru added Prof. Shoko Ieiri to Cupids <3

Dr. Gojo Satoru: Sho where are you taking your lunch today? You: Eat with us in Gojo’s lab!

Prof . Getou Suguru emphasized your message

Prof. Shoko Ieiri: …why? Dr. Gojo Satoru: colleague bonding time! Prof. Shoko Ieiri: what’s the catch? You: Why does there have to be a catch T-T Prof. Getou Suguru: Join us, and we’ll accompany you to that meditation class taught by the cute brunette you’ve been drooling over.

Dr. Gojo Satoru laughed at a message

Prof. Shoko Ieiri: yeah alright

Shoko appears in the doorway of Gojo’s lab shortly after agreeing to join. Her white lab coat flutters as she strides in, a fitted blue shirt tucked into black pin-striped slacks. She plops her brown bag onto the table beside you, tossing her long brown hair over her shoulder, and extracts a sandwich and an apple.

Across from you, Gojo sits perched at his desk, leaning back with his legs crossed atop the surface. His usual smug determination is evident, highlighted by his untouched strawberry cheesecake yogurt. His white turtleneck peeks above the collar of his lab coat, accentuating the icy hue of his hair and brows.

Unfortunately, spending so much time with Gojo means you are beginning to mirror him in subtle (and sometimes regrettable) ways. Today’s shared wavelength is your matching outfits—both of you in white turtlenecks and brown straight-leg slacks. Though, judging by the label on his, the price tags aren’t even close.

Getou, seated on a stool to your other side, shakes his salad container, the silver hem of his cardigan shimmering under the fluorescent light. A stray strand of hair falls across his face, and he tucks it behind his ear before turning to Shoko, who silently munches on her sandwich.

“So,” Getou begins, smirking, “we’re just going to ignore how quickly the promise of getting near your little hippie crush convinced you?”

Gojo snickers and Shoko shoots Getou a glare.

“She’s not a hippie,” Shoko retorts, wiping her mouth. “Meditation is a holistic approach with spiritual and health benefits. What do you guys even want from me? Gojo, you don’t eat lunch on campus—ever. The café staff down the road probably know you better than your students.”

You chime in. “Important business, Shoko. Gojo and I are working on a project requiring the intellectual brilliance of like-minded individuals.”

Getou nods solemnly. Shoko laughs.

“Thank god you entertain him,” she says. “Back when my pre-med lab was next to his, he wouldn’t stop dragging me into his ridiculous schemes. You’ve saved me countless headaches.”

Gojo grabs a stress ball from his desk and lobs it at her. Shoko deflects it with her elbow, the ball bouncing to the floor.

“You’re so mean,” Gojo pouts. “Anyway, you’re here to confirm my theory that first-years Itadori Yuji and Kugisaki Nobara are the ideal match.”

Shoko groans. “Of course I am. Let me guess—you two,” she points at you and Getou, “think Itadori and Fushiguro Megumi are a better match.”

You nod eagerly.

“Well,” she sighs, leaning back, “considering Gojo’s total lack of social awareness, I’d normally side with you two. But…Gojo, are you positive that you can concretely back your theory?”

Gojo stands, pacing dramatically. “Is an atom that’s lost its electron considered positive?”

“I think you’re saying yes?” you guess.

“Exactly!” Gojo snaps his fingers, grinning triumphantly.

Shoko, ever the pragmatist, pulls out her phone. “Fine. This semester, I’m teaching those three in Health & Wellness. Let me show you something.”

She scrolls through her phone and finally finds a video. “Yuji and Nobara worked together on a group project. Watch this.”

00:03 =⬤--------------------------- 01:17 

⇆ㅤ ◁ㅤ❚❚ㅤ▷ㅤ ↻ 

[The video begins, revealing Yuji and Nobara squeezed together in the frame, their smiles radiant. Nobara playfully elbows Yuji, whose eyes widen in mock shock before he starts speaking.]

Yuji: “Hello, Sensei! Nobara and I finished the group assignment together and decided to try something totally out of our comfort zone. Actually, it’s something we’ve joked about before because it sounded ridiculous.”

[He stifles a laugh, running a hand through his pink hair, the short strands standing on end.]

Yuji: “We went to a local teaching farm and did… goat yoga. We’ve seen the posters on campus forever, so we thought, why not? It was a blast! The goats were fun, and hanging out with Nobara was great too!”

Nobara: “Yeah! Honestly, I was kind of nervous at first. It’s not easy convincing a goat to climb on your back during yoga poses. But once they did, their little hooves felt like a mini massage. Here—look!”

[She lifts a photo into the frame, holding it close to the camera. The image comes into focus: Yuji in a shaky downward dog pose on a yoga mat, Nobara beside him coaxing a tiny goat onto his back with a piece of hay. Nobara bursts out laughing and shakes the photo.] 

Nobara: “Haha! Right after this, the goat climbed off Yuji and—get this—it started peeing. Like, it barely missed his pants! He’s so lucky he didn’t get soaked.”

[Yuji yelps, shoving her shoulder while Nobara doubles over, her laughter echoing. Grinning through his embarrassment, Yuji snatches the camera, bringing it close to his face.]

Yuji: “Okay, Sensei, I’m cutting this off. Nobara’s having way too much fun at my expense. But yeah, aside from that one… incident, it was really fun. I’d totally do it again!”

[His hand covers the lens, and the screen fades to black.] 

01:17 =================⬤ 01:17

⇆ㅤ ◁ㅤ❚❚ㅤ▷ㅤ ↻

Shoko lowers her phone, pressing it to her lips as if lost in thought.

“Sorry, you two. After watching that again, I’m siding with Gojo on this. Look at them—they’re glowing. If someone made me laugh and smile like that, I’d be completely done for.”

Getou scoffs, muttering something about how that explains why Shoko’s “so giggly after meditation.”

You shush him, trying to keep things light.

“Alright, that makes it 2-3. But you know who else teaches those three? Professor Haibara. We have to ask him.”

Before long, Haibara Yu strolls into Gojo’s lab, looking as disheveled as ever. His charcoal slacks are slightly wrinkled, his pale pink shirt untucked, and his silver glasses sit crooked on his nose.

“You called—Oh! Everyone’s here! Hi!” he exclaims, spreading his arms wide in greeting.

Getou, ever efficient, disposes of his salad container and slings an arm over Haibara’s shoulder.

“Hey, Yu. Quick question: as their professor, do you think Yuji and Megumi would make a good match?”

Haibara blinks, caught off guard. “As in… romantically?”

When Getou nods, Haibara rubs the back of his neck, thinking.

“Well, they’re in my History of the Samurai class, and let me tell you, they’re my most enthusiastic students. On the first day, I asked what everyone already knew about samurai. Yuji and Megumi practically bolted to the board and started writing a list of skills they’ve practiced together.”

He grabs a marker and writes neatly on the whiteboard:

Samurai Fighting Basics – Megumi & Yuji

• Iaido: Drawing & Sheathing Iaitō • Kenjutsu: Bokken Stances & Striking • Kendo: Shinai Quick Attacks

“They even demonstrated some techniques right there in class,” Haibara says with a grin, his thick bangs falling into his eyes. “It’s obvious they’re close and share so many interests. Honestly, I ship it!”

The room erupts into chaos as everyone starts debating further. The argument rages on until Gojo’s next class begins trickling in, scattering the group with reluctant promises to continue later.

During your own lesson, as your students take turns popcorn-reading poetry, your phone buzzes in your pocket.

Dr. Gojo Satoru: Hey, I just remembered. We’re facilitating that student union meeting today. We can totally ask the upperclassmen for their opinions!

You sigh, typing back a quick response.

You: Fine. Get back to teaching, Gojo.

When you woke up this morning, you definitely didn’t expect to be holed up in an empty classroom, grilling the Student Union’s elite members one by one about your matchmaking drama. Yet here you are, derailing their bi-weekly brainstorming session for fund allocation. To justify your antics, you and Gojo promised them unwavering financial support—if they gave you honest answers.

First up is Vice-President Okkotsu Yuta, his usual warm demeanor making him an ideal candidate for candid feedback. Sitting across from him, you can’t help but notice how he smiles sheepishly, like he’s trying to soften whatever he’s about to say.

“This probably won’t help much,” Yuta begins, rubbing the back of his neck, “but I’m ninety percent sure Maki likes Nobara. I mean, I can really see it, so I propose… NobaMaki.”

You and Gojo exchange a look, equally unimpressed. Without a word, you call in the next person.

Secretary Inumaki Toge is next. Sassy and loyal, he takes his seat across from you with a raised brow, clearly amused by the situation. After you explain the debate, he listens intently before lifting his hands to sign his response.

“I don’t know about Megumi and Yuji,” Toge signs carefully, his fingers precise, “but if you’re suggesting Nobara and Maki, I’ve got news: I’ve heard Maki and Yuta are actually a thing.”

You freeze mid-follow-up, fumbling for the signs to convey “suggest” and “imply.” Gojo swoops in, translating seamlessly. Of course, he’s fluent—he picked up sign language quickly after the two of you agreed to learn for Toge’s sake.

“Well,” you mutter, leaning back in your chair. “That cleared up absolutely nothing.”

Finally, you summon President Zenin Maki. Confident and direct, she strides in with her arms crossed, rectangular glasses reflecting the fluorescent lights. Her thick lashes peek over the frames as she narrows her eyes at you.

“What now?” she snaps, cutting right to the chase. “Me and Yuta? Seriously? Look, you didn’t hear this from me, but since we’re dragging Yuta into this—Toge likes him. So there’s that.”

Maki turns on her heel and marches out, her ponytail swishing with every sharp step.

Gojo groans dramatically and leans his head on your shoulder, the soft tips of his snowy-white hair brushing your cheek.

“This is just getting more ridiculous,” he says, voice muffled against your arm. “Everyone’s in love with someone else. What the fuck?”

Your phone buzzes in your pocket. Careful not to disturb Gojo, who’s still sulking on your shoulder, you retrieve it.

Prof. Nanami Kento Can you return my projector tomorrow morning? I need it for my lesson. Thank you kindly. Also, I hear you and Gojo are still sniffing around where you don’t belong. Just a word of advice: being messy usually leads to more mess. Good luck cleaning it all up.

You sigh, sliding your phone back into your pocket. Nanami’s right, of course. But does that mean you’ll stop? Absolutely not.

insp by @r4yz-4u's comment !

[vaspider]

This is the last thing I'm going to post about this. Yes, reblogs are turned off. No, I am not tagging anyone's Tumblr or pointing you towards the people involved: I have them blocked. Do not go bother either one of them.

The Tumblr post I responded to earlier tonight went up before I read the actual response emails, because, well. They were sent while I was AFK, and then the Tumblr post containing Razz's response emails was tagged for me while I was, you know, not working. When I finally got to actually read the emails, I hit this line:

I bought the first heat pack during your sale and it said very explicitly in the emails that you guys would send a random one from your supply, no mention that customers needed to put something else in their cart.

Emphasis mine.

And at the point where someone's just fully making stuff up rather than admitting they fucked up, I'm done. So. In the name of my own sanity, I issued a full refund for this order, and:

Hi Razz,

Since you and your friend decided to take this conversation to Tumblr in the 3 or so hours I was AFK spending time with my partners, I hadn't actually gotten an opportunity to go back and read these emails. The first time I saw them was not in my inbox but idly scrolling Tumblr while petting my dog at 11 PM with your friend's, uh… commentary on them. Your assumption that I was condescending and calling you stupid rather than that I'm autistic and speak very precisely is very interesting, in context, and skipping over me saying 'I'm baffled' and 'I'm genuinely confused' to call that 'I think you're stupid' and all of the other really shitty commentary your friend put on those emails is… well, it's a choice. And at first I thought this must be someone out of pocket and white-knighting for you so I was not going to hold you to account for what they said, but then when I went to go block them, I saw your comments, and your posts, so. Yeah, that's fun and cute.

Anyway, the email absolutely did not "explicitly say" that we would be picking from our stock. What it said was, as follows:

"Emet just spent a week going through our entire stock of fabric, adding all of the new patterns & figuring out which designs must be discontinued since the fabrics can't be ordered anymore. She's got all of the closeout heat & cold packs prepped - ready to fill & ship - and you can get one of the discontinued prints FREE with the purchase of any regular-price heating pad, no code required! When they're gone, they're gone, so don't wait! Order by December 14th for domestic heat & cold pack delivery estimated by 12/24."

This section is followed by a selection of 9 New Heat & Cold Pack Patterns, labeled "New Heat & Cold Pack Patterns," followed by another section marked "Closeout Options!" which had 5 of the then 15-20 Closeout patterns, all labeled with CLOSEOUT at the front of the name.

After this was our legally-required footer with our mailing address and the unsubscribe link.

Nowhere in there does it explicitly say that we will be picking the item for you. In fact, it says "you can get one of the discontinued prints free," which would seem to imply you need to pick something.

I'm not sure why I should have assumed that sending you a screenshot would be something inaccessible to you when you… sent me a screenshot. Nobody said you were incompetent. Nobody said you were stupid. Nobody said blind people can't take screenshots. I mean, you took a screenshot of the email that you said explicitly said something it does not at all say, so clearly you personally can take a screenshot, and find that to be a useful tool in communicating. Why would I have thought that responding in kind would be something inaccessible to you? I haven't a clue, but what I do know is that my wife just walked downstairs after her full sleep cycle and said, "Is this still that person?" so … yeah.

I've refunded this order & closed your customer account. It's genuinely worth it to me at this point to lose the money so I never again have to deal with a person who chooses to try to tell me falsehoods about the content of an email that I just told you that I wrote. No further responses will be received by any of our staff.

Spider

I’m not going to waste more time reading paragraphs of you insulting me over not understanding your esoteric definition of closeout and deciding that a blind person can’t be blind if they can take a screenshot. I had a simple question, I practically resolved it myself, and between my first email and the next you leapt to conclusions and treated me like dirt for the crime of not having access to information you never provided in am accessible way.  I choose to speak with a trusted friend over the situation the same way you would speak to your own partners. it was up to them what they did with your own words. Whatever fallout comes of this is on you. I’ve made sure the blind community is aware of your discrimination and as far as I’m concerned that’s the end of this. I hope your shipping costs I never even asked about were worth the income you've lost from me and my extended community since that tiny amount of money appears to be all you care about. 

Razz T. 

Razz,

Go away.

[gyorouis]

── ✦ wit it this christmas.

⋆˚ 𝜗𝜚 ˚⋆ synopsis⸝⸝ 'tis the season for some love-giving

꒰ genre⸝⸝ romcom, fluff, slight-suggestive pairing⸝⸝ party crasher!beomgyu wc⸝⸝ 1.6k warning⸝⸝ mutual pining, alcohol mentioned, reckless decision-making (breaking into places), they are both BIG flirt tune in⸝⸝ ariana grande —wit it this christmas ୨ৎ ꒱

“i’m telling you, this is the stupidest idea you’ve ever had,” beomgyu muttered, tugging at the lapels of his blazer as he stood outside the towering mansion.

“oh, come on, gyu,” soobin drawled, arms crossed, leaning casually against the hood of his car. “what’s christmas without a little chaos? you’re always saying you’re the life of the party. prove it.”

“yeah,” taehyun added, a smirk tugging at his lips. “or are you chicken?”

beomgyu scoffed, running a hand through his perfectly tousled hair. “first of all, i’m not chicken. second, this party isn’t exactly my scene. who even throws black-tie christmas parties?”

“rich people,” kai piped up from the backseat, grinning.

beomgyu rolled his eyes, but his pride wouldn’t let him back out. “fine. but if i get kicked out, you’re all buying me dinner for a month.”

“deal,” they chorused, clearly entertained.

with a dramatic sigh, beomgyu straightened his blazer and made his way to the front door.

the party was... fancy. too fancy. twinkling lights adorned every corner, a towering christmas tree stood in the center of the room, and servers in crisp uniforms carried trays of champagne and hors d’oeuvres. beomgyu stuck out like a sore thumb—not because of his outfit (he cleaned up well), but because he couldn’t shake the urge to do something stupid.

he grabbed a glass of champagne off a tray and scanned the room. just as he was debating whether to “accidentally” knock over a decorative wreath, his eyes landed on you.

you weren’t like the others, either. while everyone else mingled politely, you stood near the dessert table, inspecting a plate of macarons like they held the secrets of the universe.

beomgyu smirked. target acquired.

he sauntered over, leaning casually against the table. “you know, if you stare at them long enough, they might tell you which one tastes best.”

you glanced up, clearly unimpressed. “and if you stare at me long enough, i might ask you to leave.”

his grin widened. “feisty. i like it.”

you rolled your eyes but didn’t move away. “let me guess. you’re not supposed to be here, are you?”

“what gave it away?”

“the way you’re standing like you’re trying to blend in, but you’re also dying to cause trouble.”

beomgyu laughed, genuinely impressed. “okay, you caught me. but in my defense, this party could use a little trouble.”

you raised an eyebrow. “and you think you’re the one to bring it?”

“oh, absolutely.”

“prove it.”

within ten minutes, you and beomgyu were sneaking down a hallway marked “private.”

“you’re terrible at this,” you whispered as he struggled to pick the lock on a door.

“excuse me, i’m an artist,” he hissed back, wincing as the bobby pin snapped.

you pushed him aside, pulling a paperclip from your pocket. “move over, rookie.”

“where did you even—”

“shh.”

the lock clicked, and you smirked, pushing the door open to reveal what looked like a library straight out of a movie.

“wow,” beomgyu breathed. “okay, this is actually kind of cool.”

you grinned, grabbing a random book off the shelf. “think anyone would notice if we ‘borrowed’ something?”

“you’re worse than me,” he said, but his tone was admiring.

the night spiraled from there. you dared him to climb the tree in the front yard (“for science,” you claimed), and he dared you to “accidentally” switch the labels on the hors d’oeuvres.

“you’re insane,” he said, watching as you swapped the name cards for smoked salmon and candied figs.

“says the guy who tried to juggle champagne flutes.”

“i was proving a point!”

“yeah, that you’re terrible at juggling.”

hours later, the two of you found yourselves sitting on the mansion’s roof, legs dangling over the edge, sharing a stolen bottle of champagne.

“so,” you said, glancing at him. “what’s your deal?”

“my deal?”

“yeah. crashing a party like this, making a scene... what’s the story?”

he hesitated, then shrugged. “my friends dared me. they think i’m too boring these days.”

“boring? you?”

“shocking, right?”

you laughed softly. “well, for what it’s worth, you’ve been the most fun i’ve had in a while.”

he looked at you, his usual cocky grin replaced with something softer. “yeah. same.”

silence stretched between you, but it wasn’t awkward. it was... nice.

“hey,” he said suddenly. “what’s your name?”

you smiled, leaning back on your hands. “maybe i’ll tell you at the next party you crash.”

he laughed, shaking his head. “you’re trouble, you know that?”

“you started it.”

as the night wore on, the air between you grew heavier, the charged kind of silence that wasn’t meant to last.

“you know,” beomgyu said, his voice lower now, almost hesitant. “this might sound crazy, but i’m glad i came tonight.”

“even if you get kicked out?”

“even then.”

your eyes met his, and the world seemed to shrink until it was just the two of you.

“you’re staring,” you murmured, your voice teasing but soft.

“maybe i’m waiting for you to tell me to leave,” he replied, leaning in just slightly.

“maybe i don’t want you to.”

the space between you disappeared in an instant, his lips brushing against yours in a way that was both tentative and electric. the champagne bottle slipped from your grasp, forgotten as his hands found your waist, pulling you closer.

your heart pounded against your ribcage, each beat echoing in the silence that surrounded you. his lips were soft but urgent, like he’d been waiting for this moment far longer than he cared to admit. the scent of pine and cold night air mixed with the faint trace of his cologne, making your head spin.

“you’re insane,” you whispered against his lips, a smile tugging at the corners of your mouth even as you fought to catch your breath.

“you like it,” he shot back, his voice tinged with that familiar cocky edge, but his eyes betrayed something softer—something vulnerable that you hadn’t seen before.

“maybe,” you admitted, your hands sliding up to tangle in his hair, feeling the silky strands between your fingers.

his lips curved into a smirk against yours, and you felt his grip on your waist tighten, grounding you in the moment. the kiss deepened, growing more intense, as if the world had shrunk to just the two of you. the chill of the night air was a distant memory now, replaced by the warmth radiating from where your bodies pressed together.

the muffled sounds of distant laughter and music from the party drifted up to the roof, but they felt like echoes from another life—a life that didn’t include stolen moments and impulsive kisses under a blanket of stars.

when he finally pulled back, his breath mingling with yours in the cold air, he didn’t let you go. his forehead rested against yours, his fingers still tracing lazy patterns on your sides.

“you’re trouble,” he murmured, his voice low and husky.

“you started it,” you repeated, your voice barely above a whisper, breathless and lightheaded.

he chuckled softly, the sound vibrating against your chest where you were still pressed together. “i didn’t think tonight would end like this.”

“what did you think would happen?” you asked, arching an eyebrow, though your lips were still curved in a playful smile.

“i thought i’d crash a party, maybe get thrown out, and laugh about it with my friends,” he admitted, his thumb brushing over your cheek in a gesture so tender it made your chest ache. “i didn’t think i’d meet someone who could keep up with me.”

you scoffed, leaning back slightly, though his hands stayed on your waist. “keep up with you? please. i left you in the dust the moment i picked that lock.”

he laughed, shaking his head. “okay, fair point. but you’ve got to admit, i make a pretty good partner in crime.”

“debatable,” you teased, though your grin softened the words.

he leaned in again, brushing his lips against yours in a kiss that was slower this time, more deliberate. his hands moved up your sides, sliding over your back as if memorizing every inch of you.

“what happens now?” you asked softly when you broke apart again, your voice barely audible over the sound of the wind.

“what do you want to happen?” he countered, his eyes locked on yours, his usual confidence tinged with genuine curiosity.

“you mean besides breaking into another room and seeing what else we can get away with?” you quipped, though your tone carried a hint of seriousness.

“i like the way you think,” he said with a grin, but then his expression shifted, becoming more serious. “but... if you’re asking me, i’d say we stay right here a little longer.”

“just a little?” you challenged, tilting your head.

“maybe a lot longer,” he admitted, his voice dropping to a near whisper. “depends on you.”

you didn’t answer, not with words. instead, you pulled him closer again, your lips meeting his with renewed intensity. the stars above seemed to burn brighter, as if they were cheering you on.

his hands slid under the hem of your sweater, the touch of his fingers on your bare skin sending a shiver down your spine. “cold?” he asked, pulling back just enough to study your face.

“no,” you replied, your voice firm. “not even a little.”

he smirked, his lips brushing the corner of your mouth. “good.”

the minutes stretched on, and the air around you seemed to hum with unspoken promises. his hands continued their slow exploration, every touch igniting a fire that you didn’t want to put out.

“beomgyu,” you said softly, your voice laced with something that sounded suspiciously like vulnerability.

“yeah?” he replied, his tone matching yours, his eyes searching yours as if trying to decode your thoughts.

“don’t let this be just a dare,” you said, barely able to meet his gaze.

he cupped your face in his hands, his thumbs brushing over your cheeks. “it’s not,” he promised, his voice steady and certain. “it never was.”

and with that, the line between chaos and connection blurred completely, leaving nothing but the two of you and the infinite possibilities of the night.

gyo's note: just cocky beomgyu??? good heavens, i’ve been wanting to write something suggestive with beomgyu for ages, but every time i try, i end up blushing so hard i can’t finish it lol (i mean, can you blame me? i have a HUGE crush on him. i’m just a girl, please understand). this is only half of what i could've done and i can't believe that this is what i wrote for his holiday tales uhuu. anyway if you made it this far, thank you! (,,>﹏<,,) you will be loved, xoxo!

✮ 2024 gyozies, all rights reserved.

[things-stankyle-probably-said]

adding to this!!! tw: physical abuse

unlike taylor who has a good relationship with her brother austin, stan has a terrible one with shelley and has to go no contact with her when they're older

it's really sharon's fault, she's a great person and mother most of the time but when she and randy and jimbo and ned started helping stan with his career shelley was very much ignored and cast to the side in favor of stan and his talents

I don't think shelley suffers from eldest daughter syndrome in that she was never parentified and expected to do more responsibilities around the house or in the family, but her needs and dreams and personhood weren't seen as important to sharon and by extension the rest of the marsh family because they were so focused on helping stan become a popular and famous musician and sharon is very much a Boy Mom by prioritizing and favoring stan the way she did when shelley and stan were growing up

now none of that is stan's fault he never asked for or wanted special attention but he got it all the same, and shelley resented him for it and no matter how nice stan was to her shelley hated her little brother and would bully him behind closed doors and act innocent when stan tried to tell anyone what was going on

it got really bad to a point where she'd attack him physically and once he unfortunately had proof in bruises of the harm she was inflicting on him and had to be hospitalized for the marshes went to family therapy but the damage was done and neither shelley or stan wanted anything to do with one another

stan bought shelley a house in florida to live in when he had enough funds to do so as a young adult and hasn't spoken to or seen her since and his label pays her 150,000$ a year to never speak publicly or privately about her family

style au where stan is a famous musician and kyle is a famous basketball player they're so tayvis coded

[spockcock]

Actively disturbed by the fact Dan and Phil are t'hy'la (Vulcan word used to indicate people with a close bond; essentially translates to a combination friend, brother, and lover. Used most often to reference the characters Kirk and Spock as something like soulmates or spouses)

[fantasygerard2000]

When you criticize a media on why it didn't succeed, I'd listen. But the moment you used your own fanwork with your favorite tropes as an example on how "better" it would've been if you were in charge of making it, you lost me.

[cj-lyric-a-day]

look i struggled making this poll okay so now yall will struggle with me

Yes they are randomized, No im not telling you which one is which yall are GAMBLING now

Blame CJ

[effervescent-fool]

i think one of my biggest (and only) gripes with procreate is that they dont have like. a masterlist of features their app has to offer. a full thorough ui navigation. because ive been using procreate for a couple years now and im still discovering preexisting features because they just. dont mention it anywhere

[daz4i]

how and why is there discourse about whether or not certain queer identities exist/if people should be allowed(???) to use them. why is "people know their own identity better than you ever could, and they're the only one who get a say on what they are" such a tough concept to grasp

i think if you find yourself offended by the label someone uses (especially if they're a stranger) or think it invalidates your own, it's a good idea to look inside yourself and question why that may be. more often than not, it's a result of insecurity or uncertainty of your own identity (or many other things, but i won't make a whole list here). whatever reason it is, until you resolve it, you shouldn't take it out on people for having an identity you don't understand

many have said it before but it's worth saying over and over. infighting only helps our oppressors. conservatives don't care if you're a cis gay or a xenogender aegosexual aplatonic lesbian, they hate all of us either way. trying to fit in by going for people who are easier targets for them isn't gonna help you, it'll just alienate you from your own community, and you're never gonna please them. the momentary rush you get from hearing you're not like "one of /those/ gay people" is not worth it and is gonna do more harm in the long run, i assure you

also, it is important to me to say this, but having some less than nice kneejerk reaction caused by confusion about an identity you don't understand doesn't mean you're a bad person or anything. as long as you aren't mean to that person, and you take a second to think smth along the lines of "wait a minute, this isn't any of my business" after having said reaction, you're good 👍 a lot of reflexive reactions we have to things are ingrained into us simply by. well. living in a society 🤡 and you're not terrible for having those thoughts. it's your actions that matter, and your second thought (the "wait, why did i just think that?") is more defining of your actual character and morals than your reflex. i know that having thoughts like this, even tho they're unwanted, can very easily make one spiral, so it's important to me that whoever needs to hear this knows this doesn't make you a bad person 🙏 you're good, keep taking actions to be good, accept other people even if you don't understand them, and you're on the right track :)

[sweetest-honeybee]

Gender and pronouns are very different. Example I myself am identify as nonbinary and use he/they, I do not identify as a demi-boy personally. It varies person to person :)

Well I understand not necessarily identifying as something but what’s the difference between wanting to be referred to a certain set of pronouns and putting a label on those pronouns?

[orcelito]

The difficulty of planning some serious story things and not wanting to spoil said story things but also not wanting to risk upsetting ppl via untagged serious story things

It's. A balance, I guess. If at that point they've seen all the general warnings and don't understand that this is meant to be an honest depiction, then like. Idk.

[rook2ii]

dude, why does accidentally messing up on RYM feel scarier that accidentally messing up on MusicBrainz :[

[edge-oftheworld]

okay, I definitely don't know exactly what I'm thinking but I'm going to try. I guess it comes down to the fact that luke is constantly (still, after 13 years) being objectified in like, a we-own-you kind of way. Not deliberately for everyone involved in even mildly perpetuating it, but it is to 5sos culture the way that rape culture is to society in general: it's persistent, it sneaks in in what we consider to be societal or fandom norms. It shapes our opinions and our worldviews and it's like how you can't ask a fish how the water is: the water just is, the fish doesn't know anything else. It's not anyone's fault per se but god we have to do better.

and the thing about 'babygirl' specifically is that, you know who else gets treated this way by society as a whole? 1) young people, and 2) women, girls, anyone in the broad category that is seen as opposite to 'men'. opposite to the people who do the owning and the objectifying and it's a patriarchal problem with its tendrils reaching worldwide. these are the two groups of people that if you are in, you don't have any power. so on the surface it looks harmless, cute even, to call a grown man babygirl. internet terminology is weird; people just say things that aren't quite words and they catch on when you understand the sentiment behind them. we call heaps of men babygirl. sometimes i see people call ashton babygirl. it's one of the things that seems innocent and quirky, at least to start with.

but it's only innocent when you're punching upwards, taking the people who have all the power and levelling the playing field, so to speak. but the thing is, it's not quite so simple as 'oh look a rich white privileged man' when said white man was a child star (and at this point, hopefully we know how people treat child stars consistently, we've seen it play out again and again in different ways, from the carter family to britney to everyone caught up in the 1d/5sos wave to whoever the teen stars are today, and I don't need to explain it) who grew up in the bush, brought up to be kind and hardworking and go the extra mile for people because no parent in rural nsw actually expects their kid to have to navigate asserting themselves in the music industry before turning 18. I'm not saying it was all awful or his parents didn't do a great job. but I am saying that being a white man doesn't exclude luke from living a recipe for exploitation for being pretty and cute and young and talented, so many adjectives we often associate with girls. a marketable stereotype designed to be fuckable and agreeable and never get angry. babygirl.

I could go into some theories I have as to why: but the same thing in a weird genderbent way often seems to apply to luke. people want to own him because he's all of those things; they don't, sometimes the bitterness about that turns into some culturally normalised trend of coming up with an imaginary version of him. but it's more than that, more than being the heartthrob frontman of the band, and comes down to chance as well. he happens to be the youngest of the band; the others are extremely protective of him (and for good reason, i'm also certain the feeling is mutual just not expressed completely the same, but people see what fits the categories in their heads), and he does challenge the gender binary as part of his self-expression (which is a neutral thing, it should always be a neutral thing, there should never be a shift in power between what's deemed masculine and feminine, but there is and this is a prime example of the impacts gender inequality has). we've seen him going from wishing he could express himself in a more gnc way to actually doing it. people caught on early. and of course, most fans mean well but there's always a vulnerability to laying down the masculine for something more feminine even partially. it's baked into the same culture that came up with terms like 'babygirl'.

he also gives off this vibe, probably a youngest child thing too, or having seen him in the public eye from such a young age, looking uncomfortable a good portion of the time, that kind of elicits a we-want-to-care-for-and-protect-you response. and I think what's dangerous about that is that you don't ever think that caring about someone could be at all related to taking their power away. but it can be, especially if you're unable to express that protectiveness in the form of actual conversation (which for a fandom this size, is impossible) and so it kind of sits there unexpressed, without any of us ever hearing in a personal conversation exactly how luke thinks and having the chance to negotiate, what is a better way to treat you? do you feel like we're treating you as a child even though you're 28 and married and a self-made millionaire and an expert at towing the line of vulnerable enough to be so much more human and relatable than most people on this planet while valuing privacy and personal goals and also more than capable of having children of your own too?

all this combined, you have the ingredients for this babygirl fansona (is that a word?) constructed without the guidance of the very man we are perceiving through this lens--even when you can interact with people in person it's very hard to actually change their perception of you. we get crumbs, like the fact that he likes to feel pretty to help with his confidence on stage, like bits of how he's grappled with growing up in the public eye and the ways in which being far ahead of your age in some ways always results in feeling behind in others. these then just feed into 'how babygirl of him' because we don't see the other bits, the ugly bits everyone has that no one has any obligation to share with the world. we hear him talking about mental health but we don't get to witness every minute of his life that led to the things he's talked about, it's very uwu-ified, it's easy for people to take things at face value and the fact that he's someone who tries so hard not to ever abuse positions of power he's in, and then strip his masculinity that still exists even if he's not always masculine, because we still associate masculinity with abuses of power, and then put him in a pretty box that was conceptually given to us for young women, but luke, the most (and therefore some sort of token pretty boy) out of all the band members, is close enough.

finally I want to touch on another trend that could be an essay on its own (it won't be an essay of its own with luke as an example though, out of respect I don't want to dive in too deeply, though I don't think I can respectfully not mention it either). people have a tendency to infantilise neurodivergent people, or anyone who seems vaguely neurodivergent, which is something that people do subconsciously pick up (hence why it's so important to have a name for it if that's you, because people will supplement it with descriptors that are often derogatory, babygirl might not quite be in that category but it still implies a loss of power as I've talked about). People also have a tendency to feminise neurodivergent boys and men in an outright derogatory way: anyone who doesn't like rough sport or who wears makeup or dares to have any kind of feelings. which includes neurotypicals, of course, but when you're neurodivergent it's often a step further; given; unescapable. and this is why I think that something most people think is innocent can become a cherry on top of a stack of other seemingly unrelated things, why it fills me with rage too. every time over the last 13 years luke has done something like get distracted or lose something or be a little bit socially awkward he gets infantilised. every time he gets scared it's 'poor babygirl' or something to that effect. once is cute. after a few hundred times it only erodes his ability to self-actualise and take control of his own narrative, his own gender expression and everything he shares, in a patriarchal, neuronormative world.

and so if you've read this far, I don't want to say you're bad if you've ever referred to luke as babygirl. you're not. but hopefully you've gotten to have a think and start to question, what does this term I use in pop culture actually mean? could it be insulting someone? is it affecting how I view someone and do I need to listen to them a little bit more open-mindedly?

also, hopefully it's okay to say this since luke has started talking about it a little but as myself, someone with adhd, i do also ask that you go and listen to more neurodivergent folk and figure out how to treat us with actual respect. please listen to people all across the gender spectrums too about their experiences with masculinity and femininity and the kinds of experiences that they've specifically gotten when they haven't fit nicely into a binary, however they end up identifying in the end (and as for luke, please don't assume anything about him in that vein. ever. there is one person who gets to decide that and it is luke) and what kind of things they might find offensive and why. this isn't you-have-to-know-everything-at-once but rather a call of, hey, there's a lot of diversity out there and the more diverse experiences you learn to empathise with, the more understanding you're gonna be as a person.

i have so so so many thoughts and feelings about the way this fandom constantly refers to luke as babygirl without taking one single second to think about why maybe it's a problematic thing to do to luke specifically but i lack the ability to organize those thoughts and feelings into anything coherent and concise. can someone else please read my mind and do it for me.

[am-i-the-asshole-official]

AITA For Not Tagging a Work?

I, 32F, write primarily for my own enjoyment, my main platform being AO3. I currently have a multi-chaoter series that includes several major plot twists, including one that includes non-con. To avoid spoiling it, because I believe my stories deserve to be read with as little background info as possible, I only tag it as "Creator CHOSE not to Include Archive Warnings". Which is, as I hope is obvious, is not synonymous with "There Are No Warnings". The point is, I don't use the Rape/Non-con tag. Recently, I got a very upset reader in my comments complaining about how triggering that chapter of my work is, and that's where I have a problem. I believe the corporate obsession content warnings pervading even fanworks to be a major problem. I don't want to sanitize my work, but I do get that they contain pretty heavy themes. But I feel like I seriously do give my stories a disservice by adding labels on them, and maybe I am the asshole for this, but I value my pride and joy (my work) over strangers online. AITA?

What are these acronyms?

[poisonlove]

Absolutely ignore/get rid of this is you don't wanna do it buttt

Can I request a Wednesday x Fem!reader where Wednesday has a general disregard for everyone and their feelings EXCEPT for her little situationship (reader) and it's just little instances where she's softer with her?

YOU | w.a

pairing: Wednesday Addams x reader

A/N : I tried to satisfy your request as much as possible but Wednesday and reader don't have a situationship, they will develop... something ;)

"The most precious things in life are usually the most helpless." Penn Badgley

Wednesday Addams walked along the corridors of Nevermore Academy with a brisk yet graceful step, the sound of her shoes against the cold marble determining her hurry to get to the library. The other students stepped aside as she passed, probably intimidated by her dark and menacing gaze that seemed carved into her features.

"Addams, one word"

Wednesday reluctantly stops, turning slightly and raising an eyebrow. Yoko Tanaka strides toward her, sunglasses perched on her head revealing a pleading look. Wednesday had no intention of wasting her time with her roommate’s best friend, but seeing the vampire in such a state of despair piqued her curiosity.

"What do you want Yoko?" Wednesday asked, her tone of voice deliberately rude. But the brunette didn't care at all.

"I need your help," Yoko began, trying to keep calm, but her voice betrayed a certain frustration. "Could you help me with Thornill's homework? I can't find the damn Moon Flower anywhere."

Wednesday could hardly believe her ears: how dare she interrupt her plans for something so stupid? With her classic impassive gaze, the brunette stared at Yoko in a prolonged silence that made her feel more and more uncomfortable.

"I don't care," Wednesday finally replied with venom and disinterest, surprising the vampire. "If you can't do such a stupid task, maybe you deserve to fail," the brunette added in a cutting tone.

"but it doesn't cost you anything!" Yoko exclaimed in despair.

Wednesday's behavior annoyed her deeply, but Yoko had hoped that following Enid's advice to be kind and tolerant would at least provide some relief. Apparently she was wrong.

"I said no, Yoko," Wednesday replied, her tone even more icy. Her gaze was steady and impenetrable, and her patience, already thin, was completely exhausted.

Yoko sighed deeply, realizing that pushing further would get her nowhere. She put her sunglasses back on in a quick, controlled motion, hiding her annoyance behind a forced smile. Her grin revealed her pointed canines, a gesture that might have seemed threatening in other circumstances, but here it only served to hide her irritation.

"ok, Addams"

with one last look, Yoko walked away, keeping that forced smile until she turned the corner. Wednesday didn't follow her with her gaze, already tired of that brief and, in her eyes, pointless interaction.

As she set off again, determined to finally reach the library, she was interrupted again. This time it was her two friends Ajax and Xavier who stopped her. The two approached quickly with an air of urgency that seemed to want to drag her into some other stupid discussion.

"Wednesday, can we talk to you for a moment?" Xavier asked hesitantly.

the brunette stopped again, clearly irritated now. her gaze narrowed to a slit of annoyance as she waited for them to speak.

"I have a problem with my new work... and I think you can help me," Xavier said, trying to be persuasive.

Wednesday looked at both of them coldly, her patience crumbling with every passing second. All of Nevermore ignored her and labeled her as the school freak, psychopathic and creepy... and now, by some strange twist of fate, everyone needed her today? She simply wanted to go to the library to further her research on poisons and their uses , see you , continue writing her story, or go to the cemetery later.

“I don't care,” she replied coldly, hoping Xavier would understand that she felt some urgency in leaving.

"Addams," Ajax intervenes, "I wanted to ask you for advice... you know that I'm interested in Enid and since you're her roommate..." the gorgon continues, purposely leaving the sentence hanging.

Wednesday stared at them in silence for a few moments, her impassive gaze betraying her impatience. "I don't care in the slightest about your problems and if you don't get out of my way immediately, I won't hesitate to make you regret this conversation" the brunette threatens in a low and cold tone.

Ajax and Xavier look at each other in confusion and fear, pondering Addams's words. They both knew Wedsnesday's reputation and the very real danger of being killed by the shorter girl terrified them.

they decided to step aside.

Wednesday continued on her way, completely ignoring them, while the two boys exchanged glances of resignation. The massive wooden doors finally loomed in the distance and the swarm of students' voices faded as she entered the less frequented part of Nevermore.

"WED!" an all-too-familiar voice shouts enthusiastically.

For the third time that day, Wednesday had to stop. She closed her eyes for a moment, trying to suppress the killer instinct that threatened to surface and put an end to her blonde roommate's irritating exuberance. She was seriously starting to believe that it was a curse cast by her mother, some sort of psychological torture designed to test her patience. Unfortunately, it was far from her favorite torture, and she focused on something she knew would calm her down: you.

"Wednesday," Enid exclaimed, catching up with her with a beaming smile, "I was just looking for you... The Poe Cup is coming up again and we have to defend the title! You'll be there, right? We can't do it without you!"

Wednesday stared at the blonde, impassive. Entering the Poe Cup again was the last thing she wanted to do, but she knew Enid wouldn't give up so easily.

"I'll think about it," she replied, keeping her tone detached. She didn't want to seem too involved, but she didn't want to completely dampen Enid's enthusiasm either.

"Awesome!" Enid clapped her hands, thrilled by the response. Then she walked away, skipping happily down the hallway.

Wednesday watched her go, mentally wondering how Enid managed to maintain all that vitality. With a barely audible sigh, she finally resumed her walk towards the library. The brunette lifts the corners of her lips as she enters her haven of peace, looking at the shelves covered in books and dust.

the sound of footsteps echoes throughout the library, her figure getting lost among the endless avenues of shelves and books of Nevermore. Her diligently runs her fingers through the tomes, grazing their rough and fragile covers, the wisdom that hides within them. The few students who were there were busy reading or studying among the various desks scattered around that place, the silence broken only by the sound of the pages being turned.

but it is among those shelves that she finally sees: you

she knew basically the essential things about you: your name is Y/N; you are a year older than her, you are Italian, you love blue and your power is to control fire. You were very good friends with Yoko, for some strange reason, and you were a person who despite the aura of mystery and darkness that surrounded you, smiled and was kind to everyone.

she noticed you a few days ago and still hasn't figured out who you are. Were you really that nice? what's really bothering you Y/N?

Wednesday watched you intently, savoring your every move. She noticed the way you brushed your hair back from your face, the smile that lit up your face when you read something that excited you, and even the grimaces you made in response to bizarre or banal passages you encountered.

Some might call it stalking, but she's really just trying to understand you better.

her black eyes never left your figure: you were tall, you had a sharp jaw that accentuated your strong face and you had full lips that were somehow always ready to whisper something provocative or sarcastic. at that moment you had chosen to gather your hair in a messy bun, a practical choice but one that added a touch of carefree elegance to your appearance.

you were struggling with a pile of books that seemed to have a life of its own. Some had already fallen, scattering across the floor. You quickly bent down to pick them up, but each attempt only seemed to make things worse.

Were you disorganized or did your hunger for books make you so careless?

Wednesday realized it was the perfect time to come out of hiding. She approached you cautiously, then crouched down and picked up a couple of books. Her cold fingers landed on Wicked Plants: The Weed That Killed Lincoln's Mother and Other Botanical Atrocities by Amy Stewart, and a thin smile threatened to appear on her lips. She was almost certain that she was the only one, aside from maybe Thornill, who had read that book in the entire school. Finding out that you shared the same literary tastes hit her in a surprisingly pleasant way.

“Here.” Wednesday’s voice was almost a whisper, as if she were intimidated by the idea of an interaction.

your eyes lift from the floor to meet hers.

Wednesday held her breath. They were the most beautiful eyes she had ever seen. You looked at her with curiosity, maybe surprise, but there was something in your eyes that made her feel strangely vulnerable.

“Thank you,” you croak embarrassedly, your cheeks pink knowing someone had witnessed your disaster.

“Maybe you should stop devouring more books than you can handle,” Wednesday said venomously. Her words were a wall behind which she hid the slight agitation she was trying to ignore.

you smile. Shouldn't you be annoyed by my answer?

"What's your name?" she asks curiously

Wednesday stared at you for a moment, cold as ever. “Wednesday,” she replied dryly, not giving anything away. But when you smiled again, the brunette felt a shiver run through her mind, one she tried desperately to ignore.

“Happy reading,” Wednesday adds quickly, turning around as she notices the slight look of confusion crossing your face. It was clear that you wanted to continue the conversation, maybe tell her your name, but Wednesday couldn’t stand there beside you without feeling her body boil.

she needed to leave the library and distract her mind

would have continued after the search, with the necessary calm

but there was an unexpected relief in knowing that she now knew her name

just like she knew yours.

A/N: yes I know, very inspired by the YOU series